Art in New Orleans

Week 11 -- Enrique Alferez -- City Park

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INTRODUCTION TO THE SYDNEY AND WALDA BESTHOFF SCULPTURE GARDEN
2002 -- Tree of Necklaces, Jean-Michel Othoniel
--- The 1970's ---
1970's -- Robert Indiana, LOVE, Red Blue
1979 -- Three Figures and Four Benches, George Segal
1975 -- Reclining Mother and Child, Henry Moore
1973 -- Four Lines Oblique, George Rickey
1971 -- Una Battaglia, Arnaldo Pomodoro
1979-80 -- Two Sitting Figures, Lynn Chadwick
--- The 1960's ---
1967 -- The Labors of Alexander, René Magritte
1965 -- River Form, Barbara Hepworth
--- The 1990's ---
1999 -- Claes Oldenburg, Safety Pin
1999 -- Restrained (Horse), Deborah Butterfield
1995 -- Spider, Louise Bourgeois
1991 -- Joel Shapiro, Untitled
--- The 1980's ---
1989 -- Rebus 3D-89-3, Ida Kohlmeyer
1987 -- Standing Man With Outstretched Arms, Stephen De Staebler
1983 -- Pablo Casals Obelisk, Arman
1949-57 -- Sacrifice III, Jacques Lipchitz
Ossip Zadkine, La Poetesse
Week 8 -- Hyams Fountain, 1921
Quick Review -- Weeks 1 -- 7
Week 9
--- SECOND SEMESTER ---
Week 10 -- McFadden House -- 1920
Week 11 -- Reggie Bush Stadium
Week 11 -- Enrique Alferez -- City Park
Week 11 -- Enrique Alferez -- Fountain of the Winds
Week 12 -- Enrique Alferez -- Shushan Airport
Week 12 -- Enrique Alferez - marble chip and granite cast -- Molly Marine
Week 12 -- Story Land
Week 12 -- Blaine Kern -- Papier-mâché -- Mardi Gras Floats
Week 13 -- Hines Carousel -- Carved Wood
Week 13 -- New Orleans Museum of Art
Week 14 -- WPA in New Orleans
Week 15 -- Ida Kohlmeyer
Week 16 -- Review
Week 17 -- More Enrique Alfarez
Clark Mills -- Bronze Sculpture -- Andrew Jackson
Emmanuel Fremiet -- Joan of Arc
1897 - John McDonogh
Alexander Doyle - Margaret Haughery
Alexander Doyle -- Robert E. Lee
P.G.T. Beauregard
1860 - Henry Clay
Vietnam Veterans Monument
Louis Armstrong
Korean War Memorial
1910 - Jefferson Davis
1872 - Benjamin Franklin
Bienville
1957 - Simon Boliva
World War II
World War I
Lin Emery
Woldenberg Park
Clarence John Laughlin
John Churchill Chase -- The Rummel Raider
André Breton -- Surrealist
Chalmette Monument
Liberty Monument
Arthur Q. Davis -- The Super Dome
1909 -- Antoine Bourdelle, Hercules the Archer
Wrought ironwork
Sweetheart
Cemeteries
Caroline Wogan Durieux
Daniel French -- Copper & Bronze -- The Ladies
Edgar Degas
Audubon Park
balconies
COMPARATIVE TIMELINE
--- VOCABULARY ---
Abstract Expressionism
Abstraction
Academic
Art Nouveau (1880's -- 1920's)
Arts and Crafts Movement (1910 -- 1925)
Art Deco (1910 until 1939)
Baroque period
Beaux-Arts
biomorphic
Bronze
Classicism
Casting
Constructivism
Contemporary Art
Cubism
dynamism
expressionism
Futurism
Figurative Style
German Expressionism
Impressionist
Kinetic Sculpture
Minimalism
Mobile (sculpture)
Modern Art
Murano glass
Negative space
Neoclassical
New Deal
Nouveau Realism
Obelisk
Pop Art
Surrealist:
WPA [Works Progress Administration]
Curruiculm Objectives/Suggested Activities
Bibliography and Suggested Reading
Church Statues
Smithsonian Art Inventories Catalog (New Orleans)

Alfarez1937RoseGarden.jpg
1937 view of Enrique Alfarez sculpture in the Rose Garden, City Park

For much of his career, Enrique Alfarez employed the Art Deco style.

Alfarez1937RoseGardenLongView.jpg
Another view

Alfarez was one of many artists employed after the Great Depression by the WPA (Work Progress Administration) during the 1930's and 1940's.
 
The WPA funded many improvements to New Orleans parks, recreational areas, roads, and much more.

AlfarezLostGoddessOnLagoon.jpg
Courtesy Henry Harmison

The Lost Goddess of City Park (concrete) depicting a standing female figure holding a cloud. 

Enrique Alferez worked in New Orleans from the 1930's through the 1990's.

AlfarezFluteAzaleaGarden.jpg
The Flute Player in the Azalea Garden

His work includes the metal fence enclosing Tad Gormley Stadium, Woman with Bowl at a bridge in the park, nude reliefs of female figures, garden lamp standards, garden benches and one of his last works, The Flute Player, a bronze female figure in the Azalea Garden.

AlfarezCharityHospital.jpg

Alfarez made reliefs for a number of buildings, including the Charity Hospital Building. Here we see a 15 by 12 foot "screen" above the doors at the hospital.  Around the large male figure in the center can be seen smaller images of  workers, farmers, laborers, factory workers, and people at play. 
 
Alfarez also designed 2' x 4' x 6" reliefs for the exterior wall of the emergency entrance. 
 
 
 
Dimensions: approximately 15’x12’x4”; base,
approximately 2’x12’x6”
Subjects: Above the doorway of Charity a screen
depicts several vignettes of Louisianians engaged in
various activities. The vignettes of figures are
arranged around a large male figure in the center of
the screen and depict domestic work, farming,
industry, labor and leisure, and sport and play.
The 13 reliefs include two people each playing golf,
hiking, playing baseball, flying a kite, with fishing
nets, cutting down a tree, on a ship, hauling large
loads, harvesting a crop; several people working at
desks; a woman cooking; and other scenes.
RELIEF AROUND TOP OF BUILDING
Date: 1936-1939 Medium: Limestone
Dimensions: Each relief, approximately 2’x4’x6”
Subjects: Narrow rectangular reliefs depicting scenes
of doctors at work are installed on the exterior wall
above Charity Hospital’s emergency entrance. One
relief depicts a doctor sitting at a table taking notes as
he looks through a microscope, a man and woman
stand in the background. Another relief depicts a
doctor placing a stethoscope to the chest of a kneeling
man, two figures stand in the background
Dimensions: approximately 15’x12’x4”; base,
approximately 2’x12’x6”
Subjects: Above the doorway of Charity a screen
depicts several vignettes of Louisianians engaged in
various activities. The vignettes of figures are
arranged around a large male figure in the center of
the screen and depict domestic work, farming,
industry, labor and leisure, and sport and play.
The 13 reliefs include two people each playing golf,
hiking, playing baseball, flying a kite, with fishing
nets, cutting down a tree, on a ship, hauling large
loads, harvesting a crop; several people working at
desks; a woman cooking; and other scenes.
RELIEF AROUND TOP OF BUILDING
Date: 1936-1939 Medium: Limestone
Dimensions: Each relief, approximately 2’x4’x6”
Subjects: Narrow rectangular reliefs depicting scenes
of doctors at work are installed on the exterior wall
above Charity Hospital’s emergency entrance. One
relief depicts a doctor sitting at a table taking notes as
he looks through a microscope, a man and woman
stand in the background. Another relief depicts a
doctor placing a stethoscope to the chest of a kneeling
man, two figures stand in the background
Dimensions: approximately 15’x12’x4”; base,
approximately 2’x12’x6”
Subjects: Above the doorway of Charity a screen
depicts several vignettes of Louisianians engaged in
various activities. The vignettes of figures are
arranged around a large male figure in the center of
the screen and depict domestic work, farming,
industry, labor and leisure, and sport and play.
The 13 reliefs include two people each playing golf,
hiking, playing baseball, flying a kite, with fishing
nets, cutting down a tree, on a ship, hauling large
loads, harvesting a crop; several people working at
desks; a woman cooking; and other scenes.
RELIEF AROUND TOP OF BUILDING
Date: 1936-1939 Medium: Limestone
Dimensions: Each relief, approximately 2’x4’x6”
Subjects: Narrow rectangular reliefs depicting scenes
of doctors at work are installed on the exterior wall
above Charity Hospital’s emergency entrance. One
relief depicts a doctor sitting at a table taking notes as
he looks through a microscope, a man and woman
stand in the background. Another relief depicts a
doctor placing a stethoscope to the chest of a kneeling
man, two figures stand in the background

The side of a bridge in City Park

Review:
 
 

Alfarez1937RoseGarden.jpg

SegalAndMe.jpg Edit Picture

HenryMoore.jpg

 

RestrainedHorse.jpg

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Much information on this site courtesy of the New Orleans Museum of Art.